After a nightmare, one of the most maddening moments comes when trying to pinpoint the terrifying aspects. The fact that you couldn’t run from one place to another, to use a common dream situation, seems minor when set against how much it makes your heart hammer. It’s the heightened reality of things that aren’t or should never be real that lends the fear.
In Kazuo Ishiguro’s The Unconsoled, this eeriness comes in the distortion of recognizable things, rendering innocuous moments sickening. Not because the moments themselves have much in the way of horror. But because those things simply can’t be real- and yet within the story, they’re as inexorable as anything in the real world. Continue reading